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Website of poet Elizabeth Rimmer


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  • Living La Vida Lockdown – the Reset

    Being Alive Tim Ingold

    Book Cover Being Alive Tim Ingold

    Reading this was tough, and I’m not sure how much I got out of it. Ingold says he is an anthropologist not a philosopher, but there was an awful lot of post-phenomenological explanation in it, and though I like some of its assumptions, a lot of it felt like verbal games, played by someone who mostly restricts his vocabulary to the academic.

    I like the basic premise that ‘being’ is a verb as much as a noun, and that being alive needs to be seen as a constantly evolving process, not a yes/no question. I like the reminder that we are immersed in the material world, not apart from it, and the detached viewpoint espoused by science is a narrative fiction. I like the reminder that we are as much acted upon as actors in the ‘weave of the world’ (p9), and that our decisions are inherently responsive to the way the world is, rather than self-started.

    To perceive and act in the weather-world is to align one’s own conduct to the celestial movements of sun moon and stars, to the rhythmic alternations of night and day and of the seasons, to rain and shine, sunlight and shade. (p132)

    Life is a conversation, even at an intra-cellular level (an idea I paraphrase from Colin Tudge’s Secret Life of Trees).

    But this book does not touch on the experience of individuality, of boundaries, filters, permissions, preferences, differences, disputes and reconciliations which make up not only our psychology, but even our physical life. Our skins are waterproof. Breathing in requires reflexes. We have to swallow to take in food, and we would rather have the orange than the peel. Marking personal boundaries is common to many living things – plants have prickles and stings, some beetles secrete a vile tasting oil to keep themselves from being eaten, and gulls on a roof ward off other birds getting too close with screaming, lifted wings and menacing lunges. Tim Ingold seems to see naming, the recognition of individual identity, as possessiveness and the desire to dominate. (p160), which seems to me to be a statement of enormous privilege.

    Identity can be a fraught issue, just now, and I don’t want to disappear down any of the tempting rabbit holes, but it matters enormously. To belittle ‘identity politics’ is to reduce a person’s arguments to the inconvenience of their demands to be respected as an individual. A black person demanding an end to racism does not want everything to be about being black, he wants to prevent his blackness being the only thing anyone notices. A feminist doesn’t want to spend her life discussing women’s issues, she wants women’s issues to be a factor in the normal functioning of society just as men’s are. Disabled people want accessible venues, not because everything has to be about their disability, but so they like the able-bodied, can think about the rest of their life.

    It is fairly difficult for me to acknowledge this, but individual identity is a multi-faceted, rich and complex gift. I come from a tradition where self-sacrifice and self-giving is considered to be noble and generous, and self-assertion is arrogant and really rather vulgar, but often this isn’t how it works. In theory you should be generously poured out in the service of your fellows, in practice you just feel you’ve been laid waste. Thomas Merton wrote in Contemplation in a World of Action – a book clearly influenced by the Nuremberg trials which were happening at the time:

    Let us not imagine that this “existing for another” is compatible with perfect love. The alienated man cannot love. He has nothing to give. Nothing is his. The lover is able to give himself completely to another precisely because he is his own to give. He is not alienated. He has an identity. He knows what is his to surrender. The alienated man has no chance to surrender. He has simply been taken over by total control.

    (Note the male pronouns. I forgive him because he was living in an all-male community, and with a bitter experience of how it worked but —–).  

    It isn’t just about exploitation. If you don’t have any sense of yourself as an individual, you can’t get any satisfaction from your activity, and you burn out. You have no realistic assessment whether what you are doing is effective, or whether you are just ticking boxes, so your performance is haphazard at best. You don’t give yourself time to consider whether there is a better way of doing things, or a better person to do it, or if your particular gifts make it more appropriate for you to do something entirely different. Your contribution to community life gets compromised. There is no conversation in entropy.

    Identity is important. Boundaries are important. I was thinking a bit about this on the InterlitQ blog last week. Claiming and understanding one’s own identity is vital not just for your own survival, but for the integrity of what you have to share. Barriers are something else, as we see personally and politically. Since I wrote Haggards I’ve been thinking a lot about the importance of places in between, edgelands where beings from two adjoining zones can meet, blend, adapt to each other and thrive, listening places, places for translation and transformation. They are places of reciprocity and connection rather than containment and separation. They are places where individuality can become communal, where the weave of the world holds together.

    As we come out of lockdown, a three steps forward, two steps back process here in Scotland, I’ll be taking this insight with me.


  • Living La Vida Lockdown – the Books

    Not as many as you’d think, but some of the books I’ve been reading have been fabulous. One trend I’ve noticed however – the number of men who are writing about herbs! I’m sure when Haggards came out it was mostly women who liked the herb poems, but lately things seem to be a bit different. I’ll get to Seán Hewitt later, and in another context, but for now, lets look at Kei Miller’s In Nearby Bushes.

    Cover of the book

    ‘Nearby bushes’ in Jamaica are not merely undergrowth or shrubbery. They are the equivalent of ‘the forest’ of medieval outlaws, ‘the bush’ in Australia, the back streets of urban estates, the closes of older Edinburgh, the ‘no go’ areas of countries in a state of civil unrest. It was tempting to draw a parallel with my ‘haggards’, especially as Kei Miller discusses issues around forced exile, colonialism, and suppression of indigenous knowledge (including herbal medicine), but as we will see, ‘nearby bushes’ are a darker place. Whereas my haggards and maquis are places of neglect, exile and abandonment, but also sources of resistance and revitalisation, ‘nearby bushes’ are an insight into the ‘shadow’ (in a Jungian sense), of Jamaican culture.
    It is the essence of the shadow that it should not be known and understood in itself, but should be spoken of only in line with the expectations of the dominant mindset, and in the second section Sometimes I Consider the Names of Places, Kei Miller draws attention to this – all the colours have been subsumed under ‘green’ in To Know Green from Green, all the islands are ‘Indio’ in Sometimes I Consider the Names of Places (3):


    We are insufficiently imagined people from an insufficiently
    imagined place

    and the magnificent Place Name: Oracabesa, which points out that the whole country is being assessed solely in terms of the gold which colonialists expected to find there. What we know of a place or a people is limited by the limitations we create in our language.


    In Scotland, where the history of erasure and exile in the Highlands was suppressed until recently, while at the same time, Scottish people enacted the very same oppression elsewhere in the name of the British Empire, it relevant that Miller also discusses how Jamaicans themselves align themselves with the dominant colonial culture, denying their history, forgetting their own local knowledge and stories, abandoning local dialects to speak with ‘sweet yankee accents’ or aspiring to own a BMW X5 (VII:II). It is important for Jamaicans to be aware of the stubborn survival of native folk tales and urban myths amid

    de heap
    of bruk bokkle & de plenty bun up cyar

    and the mint, pawpaw sage and ginger, the poisonous or healing plants that grandmothers know.

    they are here – in the complications of roots, in the dirtiness
    of dirt.

    And not only survival, but development. Here Where Run the Wild Deer deals with the importation and escape into the wild of six reindeer, which behave like the invasive species we deplore here, but in this poem serve as a parable of adaptation and inclusion ‘how to belong/where we do not belong’.

    But he also points out that the shadow is a place of denial and scapegoating, where a people may indiscriminately locate things they don’t want to accept, like poverty, shame, homosexuality, crime, violence. It is a place of judgement, where to be found is to be made a criminal or a corpse and all sense of individual identity is lost. The book opens with a memorial list of ‘only some’ of those found dead there and the last section, In Nearby Bushes, is a meditation on the death of a young woman, who becomes again a real individual person – ‘in the dream you are my cousin’, whose death is mourned, and whose life is given the value and dignity the nearby bushes have denied her.


    This is a dark book, with dark themes, but it is not heavy. There is a lightness, a conversational tone ‘I mean the flowers —- I no longer mean the flowers’ (Here Where Blossoms the Night) which belies the complexity of the subject and a great attention to the skills of story-tellers. The rhythms are crafted for careful reading aloud, with beautiful cadences which remind me of the King James translation (or in my case the Douai) of the Bible, though there are no explicit verbal echoes. Although 2020 has been a fabulous year for new poetry (Moya Campbell, Alice Oswald, Natalie Diaz and Seán Hewitt, so far, and it’s only August), I think this might be the outstanding book of the year, for me.

    In Nearby Bushes

    Kei Miller

    Carcanet 978 1 78410 845 8


  • Midsummer Morning

    dandelion clock among daisies

    We have got to Midsummer’s Day, and the weather is hot and sunny. The birds nesting in the garden have all flown, and people have begun to cut their hedges, and along by the river the yellowhammers are just leaving the nests, with their distinctive calls racketing through the hawthorns and alders they seem to like.

    It is peak herb this week, with roses, lavender, woodruff (I’m a little too late for this really, but I’ll dry it anyway, to use as a fixative for potpourri), chickweed, self-heal and clover all ready for harvesting, and peppermint and yarrow bulking up. The traditional midsummer herbs, St. John’s wort and meadowsweet are not yet flowering here, but they are close. There are chopped chives in the freezer, and basil ready for making pesto.

    These are the first of the marigolds, which I sowed back in the autumn, and forgot about. There will be plenty more from the spring sowing, and they will last well into the autumn.

    The plants that dominate the garden this week, however, are the ferns. They have some association with this time of year, with fairies and with midsummer magic. It was believed that you could sprinkle fern seed in your shoe and become invisible – more on this website.

    harts tongue fern

    This one is the hart’s tongue fern.

    polypody

    and this is polypody. A lot of ferns have had traditional medicinal uses, but they are most welcome in my garden for their refreshing green in the glare of summer, and because they will cope with shade.

    Posting here may be a little erratic over the next few weeks. Lockdown has been tough on all of us, and especially on some of my family, and we all need a bit of chilling time. But I will be writing and gardening, and I hope there will be a newsletter soon, inspred by clover. Enjoy the summer!


  • Living la Vida Lockdown-Here Comes the Sun

    crimson peony against green leaves

    It’s the warmest day so far, and the garden is looking quite pretty. I’m not the only one taking photos today – my daughter has caught me in the act of actual gardening, harvesting thyme.

    me, harvesting thyme

    I have moved on to the planting out stage, the tomatoes are in the greenhouse border, and the aubergines are in bigger pots. There are planters full of ammi majus, lupins and cerinthe, and fennel and agastache are in the borders. There are helichrysum, mollucella and nicandra which I will dry for winter flower arrangements, and annual seeds in the gaps left by the bulbs which have gone over. My initial optimism about the germination of said seeds has since been damped by the realisation that a lot of the green shoots have turned out to be hairy bittercress and willow herb, but you never know. The recent rain has done wonders for everything!

    Mostly I include rather pleasnat pictures of my activities, but you’ll be glad to know there are no photos of the comfrey liquid I’ve just strained and stored in old milk cartons. It smells particularly vile, but it is rich in potassium and the tomatoes and fruit bushes will be getting a very healty watering of this stuff over the next few months. More photogenically, I have started to harvest my herbs, first making a dandelion muscle rub for aches and tightness, and a violet leaf oil for skin sensitivity, and now drying thyme on a rack I made years ago from a muslin nappy tacked to a frame of leftover 2×2 struts.

    thyme leaves and flowers on a drying rack.

    I’m also making chive flower vinegar, which is coloured implausibly pink, and has a faint onion taste in salad dressings

    Poetry is harder to come by. You might like to see, among many other good things, a poem I have in the latest edition of Stravaig, but there is very little new work of my own happening just now. However, I have started work on a new Red Squirrel Press pamphlet to be published in October, so I haven’t lost all my poetry muscles!

    In Scotland we hope to hear more about the roadmap for coming out of lockdown tomorrow. It has been an anxious time, but one that has brought out both the best in our communities, and the strange and dangerous gaps in our politics economy and social and environmental thinking. I’m sure many people have been thinking how we can implement the lessons we have learned!


  • Pause for Breath

    bluebells

    Sorry, folks, no blog just for now. Back, hopefully, early next week. Meanwhile, please enjoy our local bluebells!


  • Living La Vida Lockdown – Joy from the Ground Up

    blackcurrant blossom and a bumble bee

    Odd things are happening as we settle into the routine of lockdown. I’m missing the physical company of poets more than I thought I would – my grand-daughter once told a teacher that ‘the land of poets’ was Facebook, and I do indeed make most of my poetry contacts there, but I miss the coffees and gossip and actually buying books from people. I notice my cooking more, and I do it better, with more attention. Without trips to Glasgow and Edinburgh for launches and readings and editorial meetings, I don’t find myself forgetting things nearly so much, and this has been a big change. I used to feel as if happiness in my life came in with the breath, and it was buoyant and exhilarating. These days it comes up through my feet, like a slow peaceful wave or a seedling unfurling, much smaller, but steadier.Things like this

    easter chicken and rainbow painted on a window

    Some things, though, are in waiting. When all this is over, I think to myself, but then I realise that to be honest, I don’t think this will ever be over. It is going to create a lasting change, and we need to be vigilant that it is a change that we want to live with. Everyone on social media seemed to have an instant emotional reaction when the lockdown started, that this disruption was going to be an opportunity for the systemic reforms we’ve wanted for a long time. I’m reminded of how often my mother would be exasperated about our teenage behaviour and would shout, “There’s going to be some changes round here!” There never were. But because this situation is dragging on, and looks as if it will drag on for a good long while, we have time to get past the first wave of displaced anxiety and the second of grinding depression, and really think.

    When I was writing Haggards, I was noticing patterns of behaviour among groupps of people who were worried about the climate. They would go in for nostalgia, religion, radical politics, creativity or a return to nature – and sometimes all at once. And I’m seeing them all again now. Art supplies have sold out on most mailorder sites, everyone is gardening or posting pictures of gardens and landscapes and wildlife on social media, on-line church attendance is much higher than the real-life services used to get, and there is talk all over the world about reconstruction to deal with the post-viral economy.

    And then there’s the war analogies. So many of them, and, in reaction, so much wariness, for very good reasons. Brexit invoked the war-time spirit for its own purposes in a dishonest and manipulative way and the result was quite shocking to people who realised what lay behind it. But it was and is, massively successful. Why? Why?

    I had a think about it when I saw the revival of land-girl fashion among some of the crafters and gardeners I know. I remember it from the first time (because not all of us could afford the new looks of the post-war period, and war-time clothes lasted a long time), so I found it quite off-putting, and occasionally frankly disturbing. But nostalgia doesn’t work in quite the way we usually think. I read about the first experiences of nostalgia among soldiers who were taken out of their home environments and served somewhere very different. They became actively ill and unfit for duty, and the only cure was to send them home. What doctors realised then was that the soldiers didn’t want to go home because they had a sentimental idealised memory of what it was like, which reality couldn’t deliver. Their minds generated that idealised vision of home precisely because of their profound and genuine need to be there.

    So what we are doing, harking back to a period most of us don’t even remember, is visualising some genuine need that we locate in that idealised environment. What could it possibly be? War-time was terrifying, miserable, poverty-stricken, full of restrictions we of later generations are barely aware of. When I was young they would still test the air-raid sirens in case we needed them, and my mother would be almost hysterical with anxiety. But it is clear that Britain – at least England, as I don’t think we feel this quite so much in Scotland – has located some deep-felt need in that experience and will gang until it gets it.

    The pandemic may have shown us what it is. We don’t, as the schemers behind the Brexit campaign seem to think, want to savour the glorious vistory, we don’t want to come together with an outsider enemy to fight against. What we want is comrades to fight with, a sense of a community to fight for. And now we have it. Neighbourhoods are coming together to raise money to cover the short-comings of government, to help out people who are self-isolating, to cheer up the children who are missing their friends. The community over the bridge organised a treasure hunt with clues posted in windows and on railings that families could follow last weekend. Our village organised a phone network so that isolated people could have regular conversations with neighbours. The clapping for carers is a moment when we all come to our front doors and check in with each other. Compliance with the social distancing measures is embraced even by people who clearly hate it (not saying we are all good at calculating two metres, or defining essential travel and shopping, though!).

    Goodness knows there is bad stuff happening, and probably worse to come. But something is building from the ground up, and if we are wise, and hopeful, we can maybe help it on its way.

    pots with pink tulipa

  • Light and Breezy

    spanish bluebells at the greenhouse door

    I think we need something more cheerful this week, and the weather has certainly delivered. It is bright, with a brisk wind from the north-east, that is surprisingly mild. Leaf and blossom are now well advanced, and more of the spring migrants have arrived, butterflies are emerging from hibernation, and although we didn’t have our usual spring frenzy of frog mating in the pond:

    frogs mating in pond

    This is from 2015!

    We do have some tadpoles, and possibly even some newt efts. I’ve been busy in the garden, and things are moving on. Annual seeds I sowed early last week are beginning to show through, and there are a lot of seedlings in the greenhouse.

    tomatoes peppers aubergines

    I think there has been a stern puritanical spirit about, and many people seem to have taken to vegetable growing during the lockdown. I have to say that I have channelled my inner peasant, (never really too far from the surface) and I have more salad things growing this year than I’ve had since I gave up my allotment.

    pots with lettuce radish and spinach, also lavender dentata

    But the herbs aren’t being neglected

    solomon's seal

    This is Solomon’s seal, growing in the shade of a birch and a holly seedling that sprouted from nowhwere some years back. Solomon’s Seal is known for the salve for bruises which can be made from the roots, which Culpeper notoriously described as being good for the injuries sustained in domestic violence. I’ll be working on a herb newsletter next week, featuring sorrel.

    Somehow, I don’t seem to have written much (though revised a lot) but I have been working through my to-read list, with some mixed results. I can, however, wholeheartedly recommend Kei Miller’s In the Nearby Bushes, Moya Cannon’s Donegal Tarantella, and The Craft, a book of essays on making poetry edited by Rishi Dastidar. It’s brilliant for when you know a poem isn’t working and you’re wondering what on earth you missed.

    James McGonigal’s In Good Time should have had its virtual launch by now, but we are waiting for the cover image. Everything is a bit slower just now, but let me tell you, it will be a book worth waiting for!

    honesty and alkanet flowers

  • Living la Vida Lockdown

    a shelf with primroses, an oil lamp and a statue of the Virgin Mary

    I don’t know about you, but this week has been a tough gig. I may have been mentally prepared for a lockdown (that oil lamp you can see was bought in Sri Lanka for the first one!) but emotions tend to take a bit longer to process. Also, while my life is relatively undisturbed, it has become obvious that for an awful lot of others, it is full of anxiety and heartbreak, and the grim realisation that some of us are being left to battle alone, in the teeth of what is, at best, a casual and callous disregard for their dignity and well-being, or, as it looked at first glance, a strategy to write off the most vulnerable.

    I was pleased to see the Scottish Government move quickly to issue statements that DNR forms are not to be sent out to whole groups of people because they have disabilities or are over a certain age, and to reassure them they are not to be placed under to pressure to sign them. Statements were explicity made to autistic people to reassure them their needs were being taken into consideration too. In England, I believe health authorities also undertook to send out similar reassurances. But by then the damage had been done. On other issues too, it is becoming clear that the help offerred to businesses isn’t effective, that moves to supply equipment to hospitals are lagging, and that the police monitoring of social distancing guidelines is inappropriately harming disabled people who find themselves harassed for to stopping to rest. And the Westminster government is ruthlessly heading towards a collapse of of the Brexit talks and a cliff edge crash out of the withdrawal agreement.

    I am confident that there will be a surge of resistance to any such move, and that the government will find itself under severe scrutiny when the lockdown is over, but I was shocked to find a friend sharing a post on Facebook from a page called the 17.4 million, instructing us to share a picture of the Prime Minister if we felt he was doing the ‘best job possible’. No, they aren’t working on the PPE issue, or coming out of lockdown, or the needs of those whose livelihoods have been destroyed, but my goodness, they are working on the PR on social media.

    I haven’t been this angry all week, though I did write a long and very angry poem, which I have submitted somewhere (so can’t share here). But I have been afraid. In different ways the lockdown has hit the members of my household hard, and I’ve found it difficult to keep my head on and hold everything together.

    I’ve also been feeling increasingly uncertain about the new book. When all this is over, things are going to feel very different to when I started to put it together. It is far too soon to think of ‘after’, and writing about ‘during’ is going to take finesse. Plus some of the questions I’ve been raising – like ‘what is a person?’ ‘how do you know you’re a person?’ are answering themselves. A person is a network of relationships of many different kinds, with your history, real and mythologised, with your landscape, your community (all of the communities you’re part of, not just the human ones) and they are all under stress just now, changing week by week, before our very eyes. And that is where I’m moving to – transition and transformation, what you take with you, what you lose, what you find. I might have to change the title, too. It was going to be Burnedthumb, as claiming the right to be my poet self was such an important thing to me, but if you’re here at all, you know I’ve been Burnedthumb for about fifteen years – and this book needs not to have its main focus on me. It’s going to be about all of us.

    I’m still lighting a candle at eight o’clock every night for everyone who is in isolation and finding things tough. And sending love to you all.


  • Wrens and Ivy

    wren on a pot of ivy

    For a couple of days there was a pair of wrens here, one spending a long time cooried in, and the other removing a faecal sac, which seemed to indicate that serious nesting was going on. However, the pot is only six feet from the back door, so it looks as if there were second thoughts. The wrens are still about, I can hear them singing against one ones in next door’s garden – just not where I can see them. Ah, well!

    Spring goes on, dry for the most part, but mild and sunny. I saw the first housemartin on Tuesday night, I’ve been mulching the flower bed and starting seeds, and yesterday while I picked dandelion heads and violet leaves to make infused oils, I heard a curlew, so spring is finally complete. The dandelions will make a rub for aching muscles, and the violet leaves will make a skin balm, which I think we’ll all need, after all the extra hand-washing.

    All the Easter services are on-line this year, which turns out to be more reflective and less weird than it sounds, and I’ve spent some time reflecting on what I’m learning during the lockdown. In the fortunate situation where I don’t have to worry about my income or doing childcare – and the even more fortunate position that the two people in my life with serious health concerns are actually more well now than they have been in years, I’m under less stress than I have been for a long time. And I realise how much this time of quiet is helping me to dig into what I want to write.

    But also, it has helped me to learn a lot from what’s going on. Several things stand out.

    • There is a massive change in the environment, reductions in pollution and carbon emissions. I hesitate to say that the earth ‘is healing’. It is a pause on the route to climate change chaos, a chance to break step, and it may give us a breathing space. And it is incontrovertible evidence of the impact of human activity. We could do with taking this time to think how far we can make sure we don’t just go back to doing what we used to do, to ‘get back to normal’.
    • Existing issues of inequality are being aggravated, and some of them are more clearly visible in this new situation. We need to make sure they get addressed when the lockdown ends, otherwise the aftermath will be worse than this.
    • there are still people who think that being rich, powerful, clever, courageous or in some way important gives you an edge in this situation. They think you can somehow finesse the virus with better planning, and their outrage when somehow it doesn’t work out is the oddest thing I’ve seen so far.
    • The Westminster government does not have a clue about the people it is trying to govern. They are talking to us like children, giving ‘instructions’ and raging like incompetent schoolteachers when people don’t immediately jump to it. Worst of all, they don’t understand the ordinary implications for ordinary people of the lockdown. The ‘help’ that is offered is all about keeping the finacial systems going – businesses surviving, landlords protected, banks put in charge of access to money. It isn’t at all about seeing that people can get food, keep a roof over their heads. It’s as if they look at it only through an accounts sheet, without knowing what money is for. And as if they can’t trust ordinary people to handle money directly.
    • there are a lot of frayed nerves out there. We are going to need to be very patient with people being anxious, irritable, or emotional, especially on line. From day to day, I’m very impressed with how well people behave, how kind and courteous they are, how well they keep to the social distancing rules, but you can see people are under strain. It’s been lovely to see people having emotional episodes on social media, and how everyone responds with kindness and sympathy. We can’t over-estimate how helpful this is.

    For all that this time of relative solitude is becoming a very productive and healing time for me, it is enriched by knowing how many good friends I have, both on-line and in the real world. I am so grateful to you all, and looking forward to the joy of meeting up as soon as it can happen. Happy Easter, everyone!

    pussy willow stems agains the sky

  • Virtual Launch: The Lyre Dancers by Mandy Haggith

    book cover

    In the unusual circumstances posed by the corona virus, formal launches of books have been cancelled – at least for now. So I would like to welcome you to the virtual launch of a novel by Mandy Haggith, whose poetry collection Why the Sky Is Far Away was published last year by Red Squirrel Press.

    The Lyre Dancers, published by Saraband, sees the return of former slave, indomitable survivor and now matriarch Rian to her Celtic homeland, c. 300 BC.

    A beautifully written, engrossing tale, Haggith plunges us into a world seldom explored in historical fiction: the Iron Age. But despite its distance from our own times, The Lyre Dancers is peopled with readily identifiable characters whose emotions and circumstances we relate to instantly. A cast of characters both fictional and real: explorers, slaves, warlords and healers.

    In the third and final volume of her extraordinary, imaginative Stone Stories trilogy, Mandy Haggith takes us back to prehistoric times for an intergenerational saga that navigates changing fortunes, from plundered riches and feuding warlords to betrayals and menacing curses. The Lyre Dancers revisits the unforgettable cast of characters we met in The Walrus Mutterer and The Amber Seeker, weaving a powerful narrative that challenges our modern views of family, gender roles and our place in the environment.

    The opening of the book.

    Rian couldn’t sleep. She sat up in bed, tugging tangles out of her hair. It was still her best feature, the colour of amber, as Pytheas used to be so fond of pointing out. She was no longer the wraith she was when she ran away from him. Her fingers were toughened by years of scrubbing and pounding, milking and churning, grinding and peeling. Who could imagine food and herbs could make a woman’s hands so rough? They were always worst at this time of year, chapped and stinging after the winter. She had yarrow butter to soften them, but never remembered to use it, always leaving it until a cut became sore. One of those nail-edge rips that refuse to heal caught on her hair with a twinge. She sucked it, worrying.

    Eventually she shook Manigan awake.

    ‘There’s something wrong about that woman.’ She spoke in a whisper, even though the cliff-top house walls were thick stone. Sound moved in strange ways around these buildings: you could hear voices from places you couldn’t see.

    She lit a lamp. They had been given a splendid room. The bed was solid, with curtains on three sides, including the one she was on next to the wall. The cloth was well woven and the warm colours shone in the flicker from the wick: a deep red and mellow brown with light green patches. It made her think of rowan trees. The coverlet was a patchwork of furs that had been so warm she’d had to throw it off in the night. Despite the comfort, she had hardly slept.

    Manigan grunted and groped for her hand. His thick braid of hair was shot with a touch of silver, but she still found him the most beguiling person she had ever set eyes on. Still lithe, his smile still wonky. His beard was short-cropped and it suited him. After a night’s sleep he was looking comfortably tousled again, a bit scruffy, and his sea-weathered skin was more relaxed than the day before at the party. She always thought he looked like a naughty child when he was freshly scrubbed. It wasn’t his natural state.

    When he stirred again, she said, ‘There’s something not right.

    She gives me the creeps.’

    ‘Who?’ His voice was woolly with sleep.

    ‘Cuilc. She’s too happy. I don’t believe in her.’

    He opened his eyes and gave her one of his baleful stares. ‘Of course she’s happy. It’s only the bride’s mother that gets sad at handfastings. She just got herself a daughter-in-law to do her laundry for her and cut the hay.’

    Rian snorted. ‘Can you imagine?’

    They both chuckled at the picture of Rona attempting to wield a scythe or thump a laundry tub.

    ‘She’ll have to grow up now. She’ll be fine. They’re good people,’ Manigan said.

    It was true, she knew this. The handfasting had shown the community in a good light: plenty of funny stories and more food than you’d expect for spring. The boy Eadha adored Rona and she bore a mad passion for him. The only wrong note was his mother.

    She pulled her hand out of Manigan’s grasp. ‘What if she’s my mother?’

    ‘Ach, be quiet. What on earth would make you think that?

    She’s not old enough.’

    ‘How old was I when I had Soyea?’

    Manigan sighed. ‘Did you drink too much last night?’

    She sulked for a while at that. ‘Did you hear Uill Tabar is dead?’

    It had been the sort of gathering where you heard news about people you hadn’t seen for years. The old mystic had died, seemingly, on a boat headed for the Long Island. He’d been helping with a tack and the boom had slipped out of the hands of the boy at the bow and caught Uill on the head. He had never come round.

    Manigan pushed himself into a sitting position and took her hand again. ‘I see where this is going. Yes, I did. Poor old fellow.

    I’ll miss him.’

    ‘He never told me who my parents were.’

    ‘No. You never did get it out of him, the old teaser.’ She tried to clench her fist but Manigan had tight hold.

    ‘It really bothers you, doesn’t it?’ he said.

    ‘I can’t bear not knowing. Sometimes it feels like I’m being eaten up by it, the sense that it’s just out of reach. Danuta once told me everything would change when I found out who I came from.  I have to ask her. Will you take me to Assynt?’

    ‘Is that wise?’

    ‘I have to go. I spoke to Ishbel, you know, the priestess, and she thinks Danuta’s still alive. Hasn’t heard otherwise, anyway.’

    ‘Of course, if that’s what you want to do, I’ll take you.’ He wrapped his other hand around the one he was already holding. ‘But is it safe? Bael has a bad reputation. Worse than his father. And Ussa still goes there. It’s one of her haunts.’

    Rian shuddered at the mention of the slaver, her nemesis. ‘I have to risk facing them. If Danuta dies I’ll never know. Nobody else knows who I am.’

    ‘Ach, Rian. I’ve told you a thousand times and I’ll tell you again, you’re whoever you let yourself be and to me you’re the Queen of the Sea.’ He thrust his head down into her belly, rocked her under him, and wrestled with his big arms until she cuddled him back.

    Praise for the trilogy so far:

    “A gripping, haunting, visceral novel… Lyrical and poetic prose, the author has created a convincing and entirely believable world… One of the best books I have read so far this year.” Historical Novels Review

    “Haggith’s woman’s eye view of the Iron Age feels fresh and distinctive.” Alastair Mabbott, Sunday Herald

    “Marries great storytelling and convincing research.enthralling.” Allan Massie, Scotsman

    “Utterly compelling…beautifully crafted…paints an exquisite pen picture.” Undiscovered Scotland

    “Compelling.” Margaret Elphinstone

    ‘Passionate and subversive … written with a poet’s touch.” Jason Donald

    About Mandy Haggith

    Mandy Haggith lives in Assynt in the northwest Highlands of Scotland, where she combines writing with sailing, environmental activism and teaching literature and creative writing. Her first novel, The Last Bear, won the Robin Jenkins Literary Award for environmental writing.  The Lyre Dancers is her fifth novel and completes the Stone Stories trilogy. Mandy is also the author of four poetry collections, a non-fiction book and numerous essays, and the editor of a poetry anthology.

    The Lyre Dancers is available for sale (signed, with free postage in the UK) here:

    https://www.mandyhaggith.net/shop.asp



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