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Website of poet Elizabeth Rimmer


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  • Well, This Is New!

    upright very green fern

    Though I am not a very accomplished photographer, I was beginning to wish I had a camera that could do more than my compact point-and-shoot, or my phone, clever as it is, and to want to understand more about what I was doing. And so, when I found a second-hand dslr on MPB.com, my husband gave it to me as an early birthday present, and this is the first result.

    It’s a shuttlecock fern under the hazel hedge at the bottom of the garden, which has grown and sulked for several years, but now finally seems to have decided it likes it here. It is a sunny day, but getting colder, and there are warnings of ice. But all the same, there are snowdrops, primroses and violets out, and the tangled ribbons of witch hazel are beginning to unfurl. I have all kinds of photos in mind, but the big project will be to try and get some of the birds on the feeders or the privet hedges, and in due course the frog action in the pond. There will be a lot to learn as I go, but now I have the camera in my hand, I’m ready to get involved.

    The pictures are mostly for this blog, but also for the series of newsletters I’m working on. It will be called Inspired by Herbs, and will contain a feature about the herb of the month, and a bit of reflection about our relationship with the earth, and poetry prompting, should anyone feel like attempting a poem of their own. The first one will be out in March, so feel free to sign up, if you are interested.

    opening buds of witch hazel, very bright gold

  • Containment

    Charm for taking a Swarm of Bees

    For containment. Take earth, and place it

    Under your right foot, and say

    I subdue this under my feet, I claim it,

    look, the power of earth is against all others,

    against malice, against forgetfulness,

    and against the multiple charms of other people.’

    Then throw it over the ground

    where they swarm, and say:

    Sit ye down, battle-wifie, down on the earth.

    Never fly away free to the wood.

    You must think of my holdings

    as a man thinks of his allotted place, his native land.’

    From the Corpus Christi College MS41, p182

    honey bee on michaelmas daisy

    A bit more subtle than ‘Bagsie this!’, no? I’ve been a bit distracted by a book called Leechcraft, by Stephen Pollington, so I haven’t done much translating recently. It is full of erudite scholarship, and makes me think I should look in more depth at my translation of The Charm of Nine Herbs. In particular, my guess that ‘atterlothe’ is burdock, looks very suspect. But my impression that scholars don’t talk to people who have practical knowledge of the herbal tradition does seem to stand up – they assume that all the conversations are between reader and page, whereas in a practical hands-on discipline, people read, and compare and discuss and experiment, and the dialogue is much more between the book and the lived experience.


  • Hell Mend Ye. And Hope

     El Duende
    Grief lives in my house
    like dry rot infesting the timbers.
    It has taken up residence
    in the cellar, where I do not go.
    I pretend there is no such space.
    But he sits there, smoking coltsfoot tobacco,
    and brewing a bitter tisane of rue
    and wormwood, hyssop and dill.
    Too much indulgence, he says, in sweet things
    like joy and kindness, all the fruit
    of sunlight and fresh rain, have done me harm.
    It is time to take my medicine,
    time for a purge, a cleansing.
    Hell mend ye, he says. And hope.

    Oh, the news, the news. It looks as if we have hit the point of no return in so many ways.I have been in despair, over politics, race, feminism, the climate, the state of poetry (don’t even ask), and I know I’m not the only one. And yet.

    I came across this site https://www.lowimpact.org/ . It was a very cheering read, full not only of good ideas (those are ten a penny) but accounts of people and groups actually doing good things, making real changes, getting real results. It reinforces experiences I’ve had before, that there are plenty of people in the world who are better than the stories we see in social media. People who protested in their thousands when the Windrush scandal happened, demonstrating that the government cannot simply rely on us being as racist as the newspaper headlines. People who save their local green spaces. People who are creating new ways to work, teaching people new skills, adapting our houses and technologies to be less destructive. Scottish people who responded to the Westminster ban on our parliament paying the settlement fees for EU residents by volunteering to crowdfund it themselves. Housing associations who responded to Serco’s treatment of asylum seekers by withdrawing their licenses to manage those properties. New online magazines to give platforms for groups who find themselves marginalised in mainstream publications.

    There is good stuff happening all around us, but we don’t hear it so much, and there are some good reasons why not. One is that anxiety is important for survival, so bad stories always need to make more impact. But there are two others more substantial. One is that none of this is enough. We are close to irreversable on many bad fronts, and the trends are really not encouraging overall. We need to do more, all of us collectively and individually, and we can’t afford to let ourselves off the hook.

    But here’s the killer. The stories all focus on individual responses, whereas the big problems are structural. You can’t reduce car use if you can’t afford to live near your workplace. You can’t use public transport if there isn’t any, or if flexible working and childcare arrangements don’t fit in with what services there are. You can’t reduce your plastic use if manufacturers won’t make things without plastic. You can’t reduce your heating use if your landlord won’t put in an efficient heating system or double glazing. And there are vested interests in keeping us guilty and apathetic, rather than informed and proactive. If they believe we don’t know or care, they will be able to avoid making the large-scale changes we need, and lay off the blame on us. And we’ll be able to tell ourselves we can’t make any difference anyway. 

    But here’s what we can do. We can become better informed. We can seek out local initiatives that are making things better, and support them with time, money or votes as we are able. We can spread the news and refuse to back off. And we can hope.

    And in this spirit, here are my tributes to some of the people and groups who have given me hope this year

    •  @seraphima who has tweeted the whole of the Grenfell enquiry, reminding me that this iniquity might so easily be swept under the carpet, and won’t because of people like her
    • @CaptainKim  who alerted Scotland to Serco threatening to lock asylum seekers out of their homes with seven days notice
    • https://noserialnumber.org/ who are making a genuine attempt to tackle the anomaly that artisan-produced sustainable products have to be priced out of the reach of ordinary people
    • https://www.thewillowherbreview.com/ providing a platform for diversity in nature writing  
    • https://theselkie.co.uk/ a  magazine for those excluded by gender, disability or mental health issues

    And on that note, we can go into the longest night, shortest day and holiday celebrations of all sorts, with a glimmer of hope that maybe next year some of this will bear fruit. Have a very happy Christmas and New Year!


  • This Year and Next in the Garden

    robin underneath witch hazel about to come into flower

    I have been taking photographs of the garden now that the season has come to an end, with a view to planning for next year. In some ways it has been a lovely year, from the first flowers in spring

    miniature daffodils



    to the hot summer, which turned out to be so good for the bees and butterflies.

    honey bee on michaelmas daisy
    red admiral on michaelmas daisies

    But in other ways frustrating. Much as I loved our holidays, I hate to be away when the garden is at its most demanding, and I struggled to keep up with the watering. Also, the harvest mite (known around here as the beery bug) had a very good year, which seriously limited my ability to be outside from july to the middle of September.

    The results weren’t too bad, on the whole. The tomatoes did very well, although Moneymaker rates very low on the flavour front, and I shall go back to Harbinger or Ailsa Craig next year. The first lot of cuttings I took thrived, but the later ones failed completely, and I’ll need to have a better strategy for keeping them cool and damp until the first roots form.

    I will need to take more care with sowing seeds, too. I’m used to having crops fail as the seeds are eaten by birds, and the young shoots by slugs, but it didn’t happen this time, and things needed thinning out badly. The new rose disappeared behind over-enthusiastic borage, evening primrose and extremely vigorous marigolds. There were even some volunteer nasturtiums self-seeded from last year – it was a jungle for weeks.

    nasturtiums, marigolds and lavender

    Most of my intentions are to keep doing what I’m doing, only more carefully, but there is one new project in mind. Early in the year I planted a bog myrtle,which seems to have settled well, in spite of the rampaging borage around it, and I’m hoping to use the leaves for dyes next year – they make a yellow that used to be regarded as iconic by Highlanders. But I’m also hoping to sow some seeds of heather and blaeberries – the bilberries or whortleberries of down south – to grow round it, with yellow flag and meadowsweet in the wetter ground by the pond. It will mean doing battle with the crocosmia already in residence, though, and I can see that being a problem.

    I’m also planning to encourage the chickweed that turned up for the first time, and to move the rogue dandelions that turn up in the lawn to an overlooked bit of garden behind the shed. If anyone saw the weed colonies I am nurturing here they would probably wonder what I was doing, but they are so useful as herbs, I can’t get enough of them. There will be more plants for colour and scent, and for drying in the winter, but most importantly, more time and attention, and more room for everything to give its best.


  • A Ragbag Post

    This is a picture from some time last year. I’ve been a bit preoccupied this week with three family members in hospital – though fortunately two of them are home and thriving now. But I didn’t want to miss a week.

    I’ve been looking again at Old English healing texts, and I hope there will be a post about them before too long. In particular, I’m translating the  charm for taking a swarm of bees. The literal translation for a queen bee is apparently ‘battle-wifie’. Let me tell you, I’m feeling like a battle wifie myself this week.

    And a quick reminder – Charlie Gracie is launching his first novel To Live With What You Are at Stirling Library Corn Exchange Place Stirling next wednesday at 6.30. I’m halfway through it, and the writing is beautiful. There’s a nightmare sequence about ‘the witch-mammies’ that I remember him bringing to a Stirling Writers workshop years ago – it’s even more creepy in context!

    I will also be reading from Haggards. You can get (free) tickets here.

    Do come. It’s going to be a great night!


  • A Week Out and About

    avalon marsh south drain Glastonbury Tor in distance

    After all the editing, the funeral and the consequent busyness, we had a week of being away, first to Belfast with my family, then for a few days to Glastonbury. This is the canal in the Avalon Marshes Nature Reserve, with Glastonbury Tor very far off in the distance. We were there principally to see things like this:

    replica of Iron Age track

    which is a replica built by volunteers of the Meare Track, which was made in the Iron Age. The real thing is feet deep in the peat, but you can walk this one. I wanted to see the Sweet Track, too, which is a replica of a neolithic track, and I did, but my phone ran out of charge so I couldn’t photograph it. If you google it, you will get an impression of its structure, but we were there at the end of the day, when it was quiet, and more overgrown than the photos show, and it was moody and atmospheric and wonderful.

    I love the marshes, the green quiet, reeds and willow trees, the hidden birds, dragonflies and open skies. I love the distinctive smell – mud, yes, and stagnant water, a little, but something fresh and green, too. We went back again he next day, and as we walked through the canal trail, we saw this:

    deer crossing track

    This is a very poor picture, but the deer was a long way ahead. It stood for a long time watching us before it decided we were getting too close and jumped away.

    We spent a day in Glastonbury itself, exploring the Chalice Well Gardens (me) and the Tor (my husband), and visting the Lake Village Museum, marvelled at the esoteric bookshops, tarot consultations and alternative healing, and the preparations for a zombie walk, which was due to happen the following weekend. We had lunch in what described itself as a zombie sanctuary! We also went to Wells where we saw the famous Cathedral clock:

    Wells Cathedral clock

    I love this – the sun showing the hours and the star showing the minutes – the moon which displays the phases of the moon as it goes – and isn’t far out – and the knights forever knocking each other about.

    There has been a lot of poetry in my life lately – I’ve been reading Liz Berry’s Republic of Motherhood, and Sylvia Plath’s Winter Trees. Sometimes I can’t see what the fuss is about Sylvia Plath – her language seems overblown and her violent imagery sometimes excessive – but this book includes Three Women, and it is wonderful. And I’m editing two new collections which will come out next year. All I can say is I feel very lucky to have the chance to get to know these poems so well!


  • When Someone Dies

    I don’t know what you do, but I clean. I clean everything I can get my hands on, the things that have been bugging me for months, but I haven’t got round to it, the piles of accumulating clutter that only takes a minute, but I never seemed to have time for. I used up every duster in the house, and then washed them and started again.

    When somebody dies, it is never not sad. As a person you love becomes older and frailer, and there are only hard, heartbreaking decisions before you, you can tell yourself that it is a good thing you don’t have to make them. And it is. But that’s because they’re dead. And that realisation catches you out, when you are trying to tell everyone it’s fine.

    Grief is something heavy and uncomfortable that you carry everywhere with you. It doesn’t slow you down, or get in your way, and you carry on with your life, but there’s a load hanging about you somewhere, and it makes you tired. It distracts you when you want to get on with the incredible amount of routine admin you suddenly have to do, and you lose your place and have to start all over again.

    It changes your focus. You have to protect everybody else you love. You have to cook and light fires and wrap them all up in whatever it takes to make them feel that life is okay and you love them. You hate to sit still, but you’re so tired.

    This is how it takes me, anyway. My mother-in-law, Leonie Rimmer died on the 9th of September. She was ninety-three, and managed to live in the home she’d been in for almost sixty years. She was among friends when she fell, and her family was with her when she died, so it was as good as it could be. But it’s never not sad.


  • Dyeing with Woad

    cotton, faintly blue
    Full marks if you can see any blue at all. There is enough to encourage me to have another go next year, but not much at all. Woad is very exciting, but complicated, and I think I did everything wrong. The leaves didn’t reach their full potential and were heavily depleted by slugs and caterpillars. I didn’t prep properly, didn’t activate the vat enough, and I don’t think I added enough metabisulphate – plus too many other rookie mistakes to mention. You have to be quite pernickety with woad, precise with temperatures and quantities, and not cut corners – and, unusually, it is more sympathetic to vegetable fibres than wool.
    three skeins of wool, pale pink, paler pink and yellow
    I did try wool, though, and these are the pleasant but not exactly vibrant results. From left to right, the first go at the vat, the second go – there seemed to be plenty of colour in the dye – it just didn’t transfer to the wool — and then a second simmer of the leaves the next day.

    I have plans to do a few more dyes this autumn, with roots and berries, and some madder root I bought online, and then I will have to evaluate how much I’ve learned. There’s an awful lot of beige in the yarns I’ve dyed, but I’ve learned a lot. I’m going to try using them in a sampler, and then create a bird-themed design. Already my thinking about the poetry of the project has moved on – there are threads and weaving and stories and tradition – and also Marian – the grandmother I never knew, because she died when my father was a child. We know very little about her, but her school report said she was exceptionally good at needlework, and I have a handkerchief sachet she embroidered with marigolds which has become very special to me. I hope that lots of these poems will get written over the winter.

    And then, next year. I’m going for the holy grail  – green. It seems ridiculous that with so many green leaves about, it should be hard to get a good green, but so it seems. I might try to do things properly next year too.

  • A Change in the Weather

    Hellebores, primroses and wind anemones. Finally the wind changed and everything burst into life. I have spent the weekend clearing a ton of ground elder and Spanish bluebells from the borders, replacing the lavender plants that were killed by the frost, and potting on tomatoes and chillis in the greenhouse. The lemon verbena bush has come into leaf, and I heard the first chiffchaff last Thursday, and saw the first housemartin yesterday. The black-backed gulls are back in force, but they are more widely scattered than they used to be, before their warehouse roof was demolished. And the smaller birds are nesting and feeding young as if the cold weather had never happened. There are at least three wren nests, a lot of sparrows, chaffinches, blue tits and great tits, blackbirds thrushes and robins all singing their heads off, and the sky over the fields is full of skylark song. The sky is full of thick grey clouds, but there are enough breaks for the sun to burst through, and the grass and violet leaves are full of that rich luminous green that is the colour of spring:

    The Colour of Growing

    The red glow of nasturtium petals comes
    from a golden layer within. Green leaves
    which mark deep stains on hands and clothes
    shine with their cache of bottled sun.
    Steep them in water, simmer gently
    for long hours and the bright hue will fade.
    Your wool will take its disappointing colour
    from chlorophyll, which isn’t ‘yellow’,
    but ‘bright’, ‘fresh’, ‘glowing’, ‘alive’.

    I have been working on colour poems again lately, and I’m interested that the Greeks seemed to think that ‘chloros’, which is usually translated as green to yellow, is a lively word, while the Old English ‘fealu’ which is the original of our word ‘yellow’, means pale, faded, or withered. And is related to the word ‘fallow’ – a resting time between crops.

    I have been lying fallow myself for the last few months, reading a wide selection of interesting books, being distracted from the selection I pictured a few posts back by Border by Kapka Kassabovanew poetry from AC Clarke (I hope to write a review next week) and Nat Hall, and short stories by Tom Kelly (a fellow squirrel, published by Red Squirrel Press) Solitude and Intimacy by Stephanie Dowrick, and the music of Declan O’Rourke, and a lot of family events. I started on The Making of the British Landscape by Nicholas Crane, and realised that there is a lot of territory walking left in me. Thanks to my friend Mairi McFadyen, there are are books by Neil Gunn, Katharine Stewart and Oliver Rackham to investigate, and histories and folk tales to discover. But most of all, new writing – colours and textiles, women’s history, and the history of the earth, some deepening of my critiquing skills, and some reflective writing on art, learning, resilience and the environment. I think the fallow season might be coming to an end.

     


  • Winter Violets

    Violets do this – flowering randomly any time from October to April. Back in the day there was a whole industry forcing violets to bloom through the winter so that flower girls could sell posies on the streets of London. I have never seen enough violets in bloom at once to make a posy, but even the single unexpected blooms lift my heart. In spite of the fact they are a beautiful deep, rich purple, (like no body of water I have ever seen), they have a luminous gleam that always makes me think of sunlight on water. So I was very interested to find this article on twitter this morning

    https://aeon.co/essays/can-we-hope-to-understand-how-the-greeks-saw-their-world

    where a calm sea is described as ‘pansy-like’. I totally get this in one way, and yet in another, not at all.

    This is the violet patch in the new look herb bed. This one focuses on scent and colour, with lavender, rosemary, purple sage southernwood, myrtle and costmary, for pot pourri, and the dye herbs – bog myrtle, dyer’s greenweed and woad to come next year.

    I have finished the last big garden job before the winter, which is to plant the new rosa gallica officinalis here:

    fortified with bonemeal and mulched with last year’s leaf mould, just in time, as we have had the first frosts, and it is time to think about work indoors.

    Although setting up my plans for the colours and stitches projects I’m working on has been new and exciting, the two biggest concerns in my mind at the moment are the workshop I’m planning at Taigh Chearsabhagh, and the launch of Haggards next year. I am putting together some sensory experiences, some plant associations, and some very diverse ways of writing about herbs as ways of thinking about home, landscape, healing, femininity, wildness – and many more. We’ll have to see what comes out of it, but I’m very excited.

    I’m putting together a newsletter for Haggards, which I hope will include news of events still at the planning stage – do sign up, if you would like to hear more.

     



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