BurnedThumb

Website of poet Elizabeth Rimmer


Events


  • Taigh Chearsabhagh

    This is where I was last week. It was amazing.

    There was a long cold drive to Uig through frost and snow and sometimes blinding sunshine – there was a magnificent rainbow on Skye – and then a quiet crossing to Lochmaddy. The Hamersay House where we were to stay was very pleasant and welcoming, and in fact so was everyone we met.

    I like how island communities fit a lot into what looks like a sparse landscape. There are shops that combine post office craft stall and cafe in a building about as big as an average kitchen. Taigh Chearsabagh has three art studios (lovely light rooms overlooking the harbour) where you can do a full art degree and distance learning facilities for degrees in Gaelic and Music as well as more technical studies. It’s very child-friendly too – someone told me that her grandchildren found ‘their peers are everybody’. It was good to hear Gaelic being spoken too.

    But the landscape, though sparse, is beautiful.

    I wrote this poem after our first visit (in 2006, I think):

    Rushlight

    Perhaps at the damp end of a dour day,
    when whey-thin clouds clot and curdle
    against a washed out sky, and the puny wind
    sharpens the rain in my face like teeth,
    I might find the rim of a blue lochan
    sleeping in the cold lap of the hills, where
    water-lilies fold white stars in green cups,
    and reeds wade knee-deep, and whisper.

    Then if the clouds would open like eyes
    and, in the sudden fall of sunlight, a curlew
    cry, emptying the air, and the rippled
    water blink between the reed-stems –
    then I would look, and listen, and grow still.
    Then I would know what I came for.

    This time there weren’t any waterlilies, but the curlews were still there – and there were whooper swans. I wasn’t disappointed!

    I read Rushlight as the first poem on the Thursday with poems from all three books, and then on Friday we had a workshop. I used lemon balm as a reference (there was a plant and some cookies!) and writing from herbals through the ages about it, showing how differently herbalists have felt about their subjects, and then some writing about landscapes evoked through the plants growing there. Some wonderful writing came out of it – a recollection of traditional healing, including a Gaelic charm, memories of gardens and of learning about plants, a powerful and thought-provoking reminiscence of wild coriander growing in the streets of Bradford, some lovely sensual evocations of the scents of herbs, and some well-expressed thinking about what knowledge might be important to us. It always surprises me how well Schoolish goes down (this poem is coming out in the next issue of WriteAngle, so I can’t share it here, but I’ve read it a bit, so you might know it), but it certainly hit a nerve!

    And while I was doing that , my husband was out looking at this:

    That is St Kilda, out in the distance.

    I must say a big heart-felt thank you to Uist Art Association for inviting me, to Pauline Prior-Pitt who does so much work organising things so excellently, and to everyone who came and listened and wrote and bought books. You were fantastic!


  • Landfall

    We have made Landfall!

    Last Saturday the Federation of Writers (Scotland) launched their latest anthology, Landfall. I was so proud to edit this – fifty-four authors of prose and poetry, some well-established, like the first Makar A.C. Clarke, some experiencing their first taste of publication. The design, layout and typesetting was carried out by my daughter Naomi Rimmer – no link to her site, this time as she is taking a sabbatical for a while. And here it is:

    Copies can be obtained from the Federation for £10.


  • Updates to the Website

    I’ve made a few changes to the layout of this site, adding some new pages, and streamlining some of the old ones. There are now pages for editing, readings and workshops, as, thanks to the help and encouragement of friends on FaceBook, I am in the process of developing a workshop which will be given for the first time at the Taigh Chearsabhagh Museum and Arts Centre in December.

    Signs of the Times, the new anthology of the Burgh Poets, is now available to buy on the Books and Downloads page, and some of the older pages have been updated or rewritten.

    Next week I will refresh the poems on the poetry page, and reorganise the news page, but just now I am about to get ready for the Falkirk Storytelling Festival tonight. Helen Boden, George Colkitto, Finola Scott, Ian Maxtone and Colin Will are reading as well as myself, besides fiction writers Suzanne Egerton, Kate Donne and Emma Mooney. It’s going to be a great night!


  • Falkirk Story-telling Festival

    Just to say I’ll be here on Friday 22nd September and here

    on the 24th. I will be reading very different poetry at each!


  • Signs of the Times

    This is a project I’ve been keeping quiet about until the time was right – and here it is! A book of poems inspired by signs and notices.

    The Burgh Poets are a group of poets who meet in the Burgh Coffee House in Stirling once a month, George Colkitto, Sally Evans, Neil Leadbeater, Helen McLaren, Ann Murray and me. Through the last year, which, though full of excitement and new experiences and happy things, has been a very difficult year for me personally, the Burgh poets have met for coffee and to write, and sometimes it was the only new writing I was able to do. At least four of the poems in Haggards were written there, as well as the five that are in this collection, and I’m not sure how I’d have got things done without them. This is my chance to thank them for their support and friendship.

    So this weekend, we are launching the pamphlet at the Callander Poetry Weekend, which starts tomorrow, the 1st September and runs until Sunday afternoon. There will be eighty poets there, music and films and discussion and food, and a lot of washing up.

    And among other wonderful things, the launch of the long-awaited first full collection by Judith Taylor, Not in Nightingale Country. It is published by Red Squirrel Press with a fabulous cover by Gerry Cambridge.

    Signs of the Times costs £3, and you can buy it from any of the poets after this weekend – I’ll add it to the site next week so you can buy it from me online, should you wish to – and you will be able to hear the Burgh Poets read from it on National Poetry Day 28th September at St Ninian’s Library, the Mayfield Centre Stirling at 12:30.


  • How Did This Happen

    There is absolutely no reason for this picture. I’m not even entirely sure where it is, though the smart money is on Argyll, from our holiday last autumn. But it was the most peaceful picture in my media files, and a bit of peace is hard to come by just now!

    Distracted as I have been by family events (some illnesses, a house move – not mine – and our ruby wedding anniversary), two conferences, a lot of editing and getting Haggards out, I did not notice a whole bunch of anthologies with poems of mine in them.

    • The Brig and Rock Declaimers compiled by Paraig MacNeil this is an anthology of poems written in or about Stirling from the age of William Wallace up to present day poets like Judith Taylor, Richie McCaffery, Roderick Watson and Sally Evans. And one of mine about Cambuskenneth.
    • The Physic Garden edited by Adam Horowitz. Full of poems about herbs written as part of the Poetica Botanica project at the Ledbury Festival last year.
    • The Scotia Extremis anthology, derived from the on-line project hosted by Andy Jackson and Brian Johnstone, which will shortly be published by Luath Press – there will be more about this later.
    • The indefatigable Lesley Traynor has created an anthology from her Women with Fierce Words event during the Edinburgh Festival next year. It has my first published poem, Breaking through Gravel, in it. There will be more about this later too.
    • the 2017 anthology from The Federation of Writers will have a poem of mine in it, called The Occupation of Poetry. If you read that It’s Not Poetry Until We Tell You It Is post, you’ll know what that’s about! The title of the anthology is still to be confirmed, but the individual proofs will be going out fairly soon.

    There are a couple of other things in the pipeline too, but they will have to wait until later in the month, when I’ll have news of dates of publication and so on.

    It all adds up, doesn’t it. I think I’ll have to go for a bit of a lie down! Meanwhile, here’s a serene looking harvest moon. It was five years ago, and it feels a bit like it!


  • Latest News June

    All this recent wet has done great things in the garden, and my yellow flag irises which I grew from seed are finally in full bloom. June has been exceptionally busy this year and is getting busier by the minute. I’m involved in editing two books, and there’s another to come, as well as finishing my own new collection – of which more news later in the summer.

    The biggest and most imminent event is Expressing the Earth, which is coming up at the end of next week. I’m still writing my talk on Herbs Landscapes and Ways of Knowing (I can talk about it like anything, but this requires organisation, and possibly PowerPoint) collecting illustrations from herbals, and getting stuff printed. I have turned my translation of the Charm of Nine Herbs into an illustrated leaflet and everyone who comes to the conference will get one.

    You can have one too! If you sign up to my newsletter, (promise, not too many mailouts) I’ll send you one, or you can have a PDF if you’d rather. More than just spamming you about the book, it’s got news of a herbs and poetry facebook group this time, and there will be poems and bits of other writing I’m engaged in, as well as readings and all the stuff you would expect. Use the contact form on the new contact page and we’re good to go.


  • Expressing the Earth

    Eight years ago I was at the Atlantic Islands Festival on Luing. It was my first geopoetics event, and it isn’t too much to say it was life changing. It was partly the inspiring setting – several of the poems in my first collection were written there – but also the mix of disciplines and kinds of creativity on offer. I can’t remember it all, but there was poetry, film, archaeology and geology, bird-watching and story-telling, music and workshops on websites for writers and submitting work for publication. Also some Zen meditation, which made it into the book, and tai chi, which didn’t! There have been some smaller events since then, but this June I’ll be at the first on a similar scale:

    Expressing the Earth

    Norman Bissell, the director of the Scottish Centre for Geopoetics, announced it thus:

    The Scottish Centre for Geopoetics and the University of the Highlands and Islands will host Expressing the Earth in Argyll 2017 to bring together creative artists, musicians, poets and film makers along with academics, researchers, students and teachers to explore, create and debate the earth and the environment in this spectacular area of Scotland.

    Expressing the Earth will look to the multitude and proliferation of the islands and peninsulas and address the ways in which people are influenced and brought together by these features from the Neolithic and Bronze Age, early Celtic Christian heritage and seafaring history to more recent industrial exploitation of the Slate Islands.

    Themes and activities, rooted in Geopoetics, include literature, history, visual arts, film making, archaeology, geology, geography and theology – with active engagement and creative outcomes as central to the conference as academic papers and presentations.

    The conference will take place at the Seil Island Hall in Argyll with field activities also in Kilmartin Glen, Easdale Island and the Isle of Luing. Poetry readings, musical performances and social gatherings will play a key part in the conference programme and it is intended that publications and exhibitions will follow.

    There was a call for engagement earlier in the year, and I am delighted that so many artists, musicians, film makers, writers and academics of all kinds have responded. I don’t know quite how we are going to cope with the richness of the talent on offer, all packed into three days – we are going to wish that even Scottish summer days were a bit longer to cope with it all! The Centre’s facebook page has been featuring some of the papers and workshops on offer, or you can find out more here:

    I’ll be talking about herbs, not just the uses and beliefs of herbs that I’ve been sharing here, nor the poems that are going into the next book, but the attitudes to knowledge and culture and the environment that have come out of my studies, and I’ll be talking a bit about the wonderful herb garden at Kilmartin, which we will have a chance to visit. I’m very excited about the way my writing and my philosophy and herbal knowledge has come together, and I hope that anyone who comes will find it interesting.

    Book now, if you can – tickets are going fast!

     


  • Burnedthumb Spreading its Wings

    There are a few opportunities to catch me in action coming up.

    First of all, there was the interview on Pulse Radio, which you can now hear on Mixcloud at

    Then I have just received notice that InterlitQ, a wonderful on-line resource  based in Argentina, has published five of my poems, including the title poem of Haggards. You can read them all here.

    And for the future, I will be reading some poems and talking about artistic responses to environmental and social upheaval at a conference at Stirling University on the 19th April entitled Connecting with a Low-Carbon Future – further details here. I’ll be talking about The Scottish Centre for Geopoetics and the Dark Mountain Project.

    And in June I’ll be at Expressing the Earth, a conference organised by The Scottish Centre for Geopoetics from the 22nd -24th June. I’m talking about herbs, landscape and ways of knowing, but there’s a packed programme of talks, workshops, films, music and field trips, along with the chance to meet other artists working in many different genres – and hopefully produce new collaborations and ways of creating art. Tickets are on sale now, and I can only encourage anyone interested to move fast, because we have had a lot of interest already.


  • Burnedthumb on the Radio

    I’ve had a very exciting week. Tuesday saw the launch of Jim Carruth’s Black Cart, published by Freight Books. Jim read several of the poems, dealing with farming and rural  life in Ayrshire. They are knowledgeable and unsentimental, and later in the year, when I hope to get back to thinking about Grounded Poetics, I’ll have a lot to say, but for now, I can’t recommend it highly enough.

    But in the morning before that I had the pleasure of recording an interview with Shirley Whiteside of Barrhead’s Pulse Radio. This is a community radio, which receives a commendable amount of support from the local area, both in terms of advertising and help from the local authority, but also in active involvement from volunteers, including the local school.

    I was recording for a programme called Booked, and talked about poetry at large, my poetry in particular, and encouraged people to read, write and participate in poetry events. I reviewed some recent poetry – Sheila Templeton’s Gaitherin, (published by Red Squirrel Press),Marion McCready’s Madame Ecosse, and the samplers from House of Three. And I read a few things.

    It will be broadcast tomorrow (that is the 2nd April) at 2:00pm.



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